Amethyst Blade Cinematic - Story Dev

The initial pitch for the episode 2 trailer by Tom Bevins. I went in after approval and storyboarded it out. Initially it was just a few shots, fitting in with the events at the end of episode 1, showing how they found out about the amethyst blade.

The initial pitch for the episode 2 trailer by Tom Bevins. I went in after approval and storyboarded it out. Initially it was just a few shots, fitting in with the events at the end of episode 1, showing how they found out about the amethyst blade.

Eventually, Theory wanted to make a full cinematic, and show what happened well before Vader arrived on Naboo. So I wrote a new, one-shot P.O.V. cinematic, with input from Theory and Jack Millard.

Eventually, Theory wanted to make a full cinematic, and show what happened well before Vader arrived on Naboo. So I wrote a new, one-shot P.O.V. cinematic, with input from Theory and Jack Millard.

Taking inspiration from a force unleashed 2 trailer, clone wars 2d animated series, republic commando and a host of other references.

Taking inspiration from a force unleashed 2 trailer, clone wars 2d animated series, republic commando and a host of other references.

Thanks to Spencer Barber and Blue Fire Studios, we were able Mocap this entire cinematic, following pre-recorded lines from our clone voice actor.

Thanks to Spencer Barber and Blue Fire Studios, we were able Mocap this entire cinematic, following pre-recorded lines from our clone voice actor.

Jacob Lofgren came up with the workflow to apply mocap to our clone rig.

Jacob Lofgren came up with the workflow to apply mocap to our clone rig.

FINAL TRAILER - Due to lack of people available to work on this P.O.V. Cinematic, production was taking too long, so Theory decided to go back to a smaller trailer. He wanted to salvage as much of the Mocap as possible.

FINAL TRAILER - Due to lack of people available to work on this P.O.V. Cinematic, production was taking too long, so Theory decided to go back to a smaller trailer. He wanted to salvage as much of the Mocap as possible.

Theory brought on Tim Forsgren as the new supervisor. I pitched the idea that we simply mix the two previous trailers and keep a good chunk of mocap. Once this was approved, Tim and I went through and roughed out what shots would be used.

Theory brought on Tim Forsgren as the new supervisor. I pitched the idea that we simply mix the two previous trailers and keep a good chunk of mocap. Once this was approved, Tim and I went through and roughed out what shots would be used.

I then made this storyboard, and laid the groundwork for THE trailer.

I then made this storyboard, and laid the groundwork for THE trailer.

I was involved until a little after Tim Forsgren came on as the new supervisor.

I was involved until a little after Tim Forsgren came on as the new supervisor.

Unfortunately none of the Mocap was used by Tim's people, got a bloody 3 inch gash on my leg from falling on a mocap sensor, so that sucks all that effort was wasted. Very proud of the final product though.

Unfortunately none of the Mocap was used by Tim's people, got a bloody 3 inch gash on my leg from falling on a mocap sensor, so that sucks all that effort was wasted. Very proud of the final product though.

Story development for Star Wars Theory's Amethyst Blade Cinematic. I was involved until a little after Tim Forgeson came on as supervisor.